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Coop also has the interesting casting of both longtime character actor and Sam Peckinpah collaborator R.G. Ferrare ultimately shifted from acting to presenting, hosting several talk shows including “A.M. She would later headline Juan López Moctezuma’s vampire drama Mary Mary Bloody Mary, a frequently-screened New Beverly favorite. Robertson would later attempt to direct a sequel to Charly but the project was never realized he would produce one more film, The Great Northfield Minnesota Raid in 1972, direct one more film, The Pilot in 1980, and wrote one more, 13 th Child in 2002.Ĭo-star Cristina Ferrare had been a teenage model who was employed by Max Factor cosmetics into her 20s, and initially signed as a contract player at 20 th Century-Fox, where she appeared on “Batman” and the David Niven comedy The Impossible Years. He also provided his own completion funds for the low budgeted project even though it was set up with Columbia. He had hired writers Gary Cartwright and Edwin Shrake to fashion the script, but later claimed only a sliver of their material was retained.

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Robertson spent two years developing the passion project, interviewing rodeo riders and crafting a story from their testimony in turn, many actual riders with no acting experience were cast to fill roles, while almost all the professional cast worked for scale. Coop, from 1971.Ĭoop was the first feature film written, produced, and directed by Cliff Robertson he had previously made his writing/directing debut with an episode of the early ‘60s NBC western “Outlaws.” After his Oscar-winning role in Charly. Or maybe he will find out that whether he’s on the bull or off of it, the clock is working against him.

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Maybe together, he’ll figure out how to compete against younger, cockier competitors more interested in money than achievement. On his slow advance, he meets unencumbered hippie chick Bean (Cristina Ferrare), who becomes fond of the rugged remnant of another generation. Now he has been released, starting from bottom to establish his name on the circuit again, and is being constantly confronted with how many changes in the scene, in the very world, have taken place in his absence. Coop’s promising rodeo career was derailed by a near-decade spent in prison. On Wednesday, March 13 th & Thursday, March 14 th, the New Bev presents two underseen and intimate portraits of taciturn older men, the sheltered women who fall for them, and the alternating interludes of happiness they share and ambitions that threaten their union and their lives.

And in my heart of hearts I still track the remnants of that dream wherever I go in my never ending ride into the setting sun.”Īnd indeed, in the ‘70s, as almost all of the archetypes of American culture were being scrutinized and reexamined, the cowboy continued to hold a thrall, albeit in a new fashion: the present-day loner that made his living from knowing how to feed, ride, and survive the whims of beasts that were never meant to carry men on their backs, often torn between the rush of hardscrabble victories and the temptations of ordinary comforts of romance and affluence. I was told when I grew up I could be anything I wanted: a fireman, a policeman, a doctor, even president it seemed… But like many kids growing up on a steady diet of westerns I always wanted to be the cowboy hero, that lone voice in the wilderness fighting corruption and evil wherever I found it, and standing for freedom, truth, and justice.

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The late comedian Bill Hicks opened his 1993 stand-up special Relentless by saying, “Just before we lost our innocence irrevocably, when the TV eye brought the horror of our lives into our homes for all to see.